Imagine your reader cemented in place by your story, unable to move until they reach the end. Imagine your reader racing to place your book into the hands of the nearest person exclaiming “You’ve got to read this!”  This on-demand course is designed to give you tools and knowledge to create an emotionally impactful novel.

SEIZE THE READER: WRITING FOR EMOTIONAL IMPACT

On Demand, Online, Self-Paced Course

OVERVIEW:

  • Included are 4 pre-recorded online sessions you can access on-demand for up to 6 months from the date of your registration

  • Access to live Community Office Hours, the first Monday of each month at noon Eastern where you can meet with faculty Jennifer Jacobson for questions and interaction.

DETAILED AGENDA:

Recorded Sessions

You will have access to this course for 6 months from your registration. It’s designed to be completed at your own pace.  Four approximately hour-long recorded; interactive sessions include:

Session 1: Desire
What invites readers to fully participate in the experience of your protagonist? Desire. Giving your character a burning desire — in fact, two desires (an exterior desire and an interior need) — allows readers to enter the fictitious dream. It sounds easy, right? Actually, most of us discover that establishing and sustaining taut desire lines is one of the greatest challenges of writing a novel.

Session 2: Density
William Sloane wrote: “Writing is not a matter of a single, simple progression, with each sentence making only one point. Every paragraph, every sentence is related to the entire rest of the book…By ‘entire rest of the book’ I mean what is to come as well as what has gone before.” In this session, you will explore ways of fusing your work with meaning to create greater density and poignance.

Session 3: Dopamine
Dopamine is the chemical in our bodies that causes us to want more, more, more. Considering dopamine and the need for consistent micro-tension keeps the reader wanting more, more, more as well.

Session 4: Derring-Do
By the end of the story, our protagonists have stared down their greatest fear and in doing so, transformed their perception of themselves and the world. Problem is, our protagonist’s fears start to look a lot like our own. How do we show up, stay in place, and write the most truthful stories – those that move others to feel their own truths?